Am i a genius? Am i in fact too good for this magazine Im sending to or not good enough? . Am i an idiot? Will my parents stop suggesting other jobs I could do given my education? Will strangers want to sleep with me because of my prose? None of this is of interest to the editor. Remember the editors deepest wish: Send something perfect for us, please. So your job is to help the editor by sending work that is developed, complete, thoroughly revised, and—of great importance—appropriate for the magazine.
Freelance Writers Workshop: Submitting Personal Essays
Those who think the editor is rejecting with some pleasure in hurting are entirely wrong. The editor, with an eye to the long run and a pang for those who come close, may send a few rejections report that contain a word or two of encouragement, or even a longer letter. (see below for how to handle each of these possibilities.). Yes, the editor is a gate-keeper, controlling entrée to something you want, but that is really of more importance to you than to the editor. . The editors eye is on the magazine. Your Job, you, of course, are a writer. Lets say you are just starting to send out. You are thinking, Am i any good? Will this make people i love believe im worthwhile? Is that third paragraph unnecessary as R said in workshop, but I still indeed like it, and if i keep it, and my story gets published then that will show r, but what if r is right after all? Is this my first step to fame and glory?
The editor then moves on to overseeing the production of the issue (online, downloadable pdf, broadside, stapled, perfect bound, whatever it may be, this is hard, detailed work while at the same time commencing to read for the next, trying to get together the money. Unless the magazine is a big commercial enterprise, the editor is continuously reading, selecting, working on production and lay-out, trying to get money or workers or both, and trying to get the magazine seen. The editor is tired and busy. Much of the editors work is invisible. What gets published may, possibly, go on to win awards or be anthologized, which helps to cast some reflected glory back on the magazine, vegetarianism but recognitions for an editor are few. One pleasure is sending out the acceptances, and knowing somebody is made happy. At the same time, the editor sends out flotillas of form rejections. This is a job to delegate, if possible, its so depressing.
We dont publish travel articles. Does no one read the guidelines? This one gets good in the middle, but then short the character just sits down and thinks about stuff. Wonderful minor character but the main one is self-pitying. Please cant somebody just dazzle me so i can pick something and stop this? The editor reads till unable to process any more, goes to get some more coffee, and starts again, resolving not to give in to the temptation to say no as fast as possible in order to shrink the pile on the table, or the long. The editor knows that because of the accumulation of negative thoughts, it is possible to miss something wonderful and make a mistake. The editor, despite this, notices some good pieces, puts them aside to reread, sees in the light of second reading what holds up, and then passes the work along and meets with the other editor, or four, or eleven, and listens to their views, argues.
This is the first fact anyone submitting to a magazine should understand. There may be two editors, or five, or a rotating group of a dozen student-editors on a board, but for purposes of this essay, lets consider one who, if not totally in charge, has a large say in what goes. This editor is committed to the magazine, to it reaching a readership, to its identity and survival. The editor wants nothing more than to read something so fresh and powerful and polished there is no question it must be in the journal. Instead the editor, having read 17 things this morning, keeps going, thinking: A run-on sentence in the first line! Oh no, another story with the character waking up hung-over and getting a phone call. . Why must they flash back before anything interesting happens? That isnt really funny.
What Is Considered Previously published
So, if you want to essay improve your chances of getting your writing published you should familiarise yourself with when these are: the summer months most editors dread this time of year. A lot of people are on holiday, schools and colleges close and councils and other statutory bodies dont hold meetings. It can be a lean period for some publications and, as such, can be just the right time for you to pitch your idea. Christmas and New year holidays these offer the same opportunities as summer holidays. Most people are not doing anything newsworthy and are generally more difficult to contact even if they are. Editors will often fill the pages with features yours could be one of them.
So, organise yourself and get plenty of work ready for these quiet times to maximise your potential of getting work published. Found these tips useful? Then find out how The Writers Bureau college of journalism can help you become a successful freelance journalist by requesting a freelance journalism prospectus with not obligation to enrol. Then sign up to receive more writing tips and course offers. Subscribe to receive writing Tips and Special Offers First Name: Last Name: e-mail Address: Privacy Statement. By lynne barrett, the Editors Job, a magazine editor is a person who enjoys bringing new writing to the world in a publication that will be seen, read, appreciated, and talked about.
The editor has a big blank page to fill so, if you can tell him how to do that by suggesting box-outs, panel, pictures and side-bars youll stand more of a chance of publication. Remember if you get rejected tweak your idea and pitch it to another target publication. And, dont write off a publication simply because they reject your pitch on this occasion learn from your mistakes, improve your writing and your pitch and keep sending them. Timing is everything part 1 Getting your story to the editor on time is vital. If you have a great breaking story hell not thank you if you call him when its simply too late for that days edition.
Finding out the deadlines for stories to hit the newsdesk is essential for any freelance journalist. The earlier you get your story to the sub-editor, the longer they will have to work on it, chasing up any missing information and verifying facts if they need. So, if your story is urgent you should call the newsdesk immediately. You can also e-mail the information, but it would be wise to call as well to make sure they have received the message. If your story is non-urgent, you should try to call the newsdesk at a quieter time. This will ensure that you have the best chance of chatting with the editor and he may be more responsive to your pitch. However, email is probably a better idea for soft news as it allows the editor to look through the pitch at a time that suits him and at leisure rather than when you choose to phone. Always include all your contact details so that the publication can get hold of you easily. Timing is everything part 2 There are, traditionally, some busy and some slack times of year.
Park publications, writing competitions Free critiques
If your editor gives you a deadline you must hit. If you dont, it is likely that the editor will not use you again. Accept what is offered, for now if you dont know the editor and this is the first piece youve had accepted by that publication, just accept the rates they are offering you. Remember, as a new kites freelance journalist you need as many pieces for your portfolio as you can get. So, accept the rates for now and then report when you have a good working relationship with the editor you can ask about increasing your rates of pay. Never ask for ideas it is not a good idea to ask an editor what kind of articles he is looking for. It is your job to come up with ideas and then convince the editor that he needs them for his publication.
emails with large attachments pictures for example they will probably get deleted before even being read. Dont be a stalker unless your story is urgent, you should wait at least a week before contacting the editor to follow up on your pitch. Be honest dont exaggerate about who you are and what youve done. And, if you want to build long term relationships with editors, make sure what you produce is as good as you make it out to be in your pitch. Dont be too keen once youve sent your copy to the editor, be patient. Dont contact them wanting to know publication dates or ask to have copies sent to every distant relative you can think. Be on time this is an absolute must for any budding freelance journalist. It has been said that some of the most successful freelance journalists are those that are reliable, not necessarily those that have the most eloquent writing.
The next part is putting together a convincing pitch. Remember editors are people and, just like the rest of us, they have their pet likes and dislikes when it comes to buy how they like work to be pitched to them. However, below are seven rules that apply to pitching work in all situations. The seven Golden Rules of Pitching. Dont overload your email or fill your telephone call with unimportant information. Keep to the important parts such as:. the headline the main title of the story. a standfirst the line that appears under the headline giving further details about the contents of the article.
The, ultimate guide to getting Published In a literary magazine
There are three aspects that need careful attention when trying to get work published:. Thorough market research. A convincing pitch. Timing, get these three right and youll have a pretty good chance of seeing your name in print. Market Research, market research is vital. In fact, no freelance journalist will start to work on a piece without having completed thorough market research first. Market research will tell you which publication your work will be suitable for by analysing: what kind of work they accept fiction, non-fiction, real-life articles, humour etc if they accept freelance work or not theres no point sending your work to a publication that only. Once you have this information you should be able to write your piece to fit in perfectly with your chosen publications target market, style, language and content requirements. A convincing Pitch, advantages once youve carried out your market research you should know which publication you are writing for.